Anyone familiar with the cliches of American high school would be familiar with the car-hook-up. Your parents won’t let you have your date over so you find a secluded place to experiment out in the world. However, for queer people, hooking up in nontraditional settings plays a less nostalgic role. Whether it’s a park in town, the city’s gay-friendly bathhouse, or the darkest corner available in the New York City nightclub, before the internet, before Grindr, known cruisy spots around town were a primary vehicle for single or closeted gay men to find sex. It was arguably even a political act - a kind of fuck you to mainstream society's villainizing of queer love; an act of necessity as much as daring. After all, it’s not so long ago that being caught with another man by a roommate arriving home earlier than expected could spell professional or social disaster.
‘cruising’ concentrates on these sites of passion. Photographed on medium format film, in the tradition of landscape photography, these seemingly banal locations are identified for the sexual significance they hold for the minority who experienced release at them. Whether it’s the parking lot where I had my first gay hook-up of college, or the hotel bathroom frequented on someone’s commute home from work there is something undoubtedly private and personal about these abundantly public scenes.
The juxtaposition between the banality or normalcy of the places and the subsequent story told through the caption is deliberate. The secret of these sites is fading into history as more and more attitudes around queerness improve and as apps like Grindr eliminate the need for cruising. No longer does the questioning teen need to hang around the public bathroom downtown known by gay men to take the next step for himself - he can create an anonymous profile online.
While people have always cruised for all sorts of reasons, not only because it was the safest or only option available to them, as a member of a generation who has only known the internet and the aspects of fledgling queer life it facilitates, this work is my way of making a document of this history. Of making an homage to these places and sites, and asking the viewer to do the same. Who were we as a society that relegated our sexual liberation to parking lots, bathhouses and motel rooms, and who are we now that it’s relegated to the app we bury in a folder on our phone, or the incognito browser we double-check we closed.